Andrew Stephen (Â°1983, Jaipur, India) makes photos, paintings, performances and conceptual artworks. By creating situations and breaking the passivity of the spectator, Stephen wants the viewer to become part of the art as a kind of added component. Art is entertainment: to be able to touch the work, as well as to interact with the work is important.
His photos are often classified as part of the new romantic movement because of the desire for the local in the unfolding globalized world. However, this reference is not intentional, as this kind of art is part of the collective memory. In a search for new methods to â€˜read the cityâ€™, he creates work through labour-intensive processes which can be seen explicitly as a personal exorcism ritual. They are inspired by a nineteenth-century tradition of works, in which an ideal of â€˜Fulfilled Absenceâ€™ was seen as the pinnacle.
Andrew has not created any stashes yet.