From Avatar to Jurassic Park, Beowulf to Jaws, All Stories Are the Same
Adam Rifkin stashed this in Stories
There's really just one story: dealing with conflict.
Charlie Kaufman, who has done more than most in Hollywood to push the boundaries of form, goes further: “There’s this inherent screenplay structure that everyone seems to be stuck on, this three-act thing. It doesn’t really interest me. I actually think I’m probably more interested in structure than most people who write screenplays, because I think about it.” But they protest too much. Hare’s study of addiction My Zinc Bed and Kaufman’s screenplay for Being John Malkovich are perfect examples of classic story form. However much they hate it (and their anger I think betrays them), they can’t help but follow a blueprint they profess to detest. Why?
All stories are forged from the same template, writers simply don’t have any choice as to the structure they use; the laws of physics, of logic, and of form dictate they must all follow the very same path.
Is this therefore the magic key to storytelling? Such hubris requires caution—the compulsion to order, to explain, to catalogue, is also the tendency of the train-spotter. In denying the rich variety and extraordinary multi-faceted nature of narrative, one risks becoming no better than Casaubon, the desiccated husk from Middlemarch, who turned his back on life while seeking to explain it. It’s all too tempting to reduce wonder to a scientific formula and unweave the rainbow.
But there are rules. As the creator of The West Wing and The Newsroom, Aaron Sorkin, puts it: “The real rules are the rules of drama, the rules that Aristotle talks about. The fake TV rules are the rules that dumb TV execs will tell you; ‘You can’t do this, you’ve got to do—you need three of these and five of those.’ Those things are silly.” Sorkin expresses what all great artists know—that they need to have an understanding of craft. Every form of artistic composition, like any language, has a grammar, and that grammar, that structure, is not just a construct—it’s the most beautiful and intricate expression of the workings of the human mind.