Lou Reed on Andy Warhol, Bob Dylan, Laurie Anderson, Setting Edgar Allan Poe to Music, and Why Record Labels Deserve to Die | Brain Pickings
Geege Schuman stashed this in Music
The trouble with Poe was that his language is so serious — the vocabulary — the words he’s using — some of those words were arcane when he used them — and then, architectural terms from Greece. And I, dutifully sitting there with the dictionary, looking all of this up and thinking, certainly, in a song or on the album I don’t want to have [things like this] in there — you can just as easily use a word someone knows what it means. … For him, great. For me, no. I spent most of the time translating them into English before even starting, but I couldn’t wait to rewrite “The Raven,” the poem. Mine is like a contemporary version of it, and we have a graphic novel out … illustrated by this great Italian artist, Lorenzo Mattotti. … Making things that are beautiful is real fun.
The Raven is absolutely fantastic — here’s a taste:
Pretty unique. And I love this line:
“Making things that are beautiful is real fun.”