Moby Dick Big Read
Jared Sperli stashed this in books
In the spring of 2011, artist Angela Cockayne and writer Philip Hoare convened and curated a unique whale symposium and exhibition at Peninsula Arts, the dedicated contemporary art space at Plymouth University, under the title, Dominion. Inspired by their mutual obsession with Moby-Dick and with the overarching subject of the whale, they invited artists, writers, musicians, scientists and academics to respond to the theme. The result was an enthusiastic response which evidently could not be contained within the physical restrictions of a gallery space and a three-day symposium.
‘I have written a wicked book’, said Melville when his novel was first published in 1851, ‘and I feel as spotless as the lamb’. Deeply subversive, in almost every way imaginable, Moby-Dick is a virtual, alternative bible – and as such, ripe for reinterpretation in this new world of new media. Out of Dominion was born its bastard child – or perhaps its immaculate conception – the Moby-Dick Big Read: an online version of Melville’s magisterial tome: each of its 135 chapters read out aloud, by a mixture of the celebrated and the unknown, to be broadcast online in a sequence of 135 downloads, publicly and freely accessible.